MOGARICHEV Yu.M., ERGINA A.S. The Temple of the “Three Horsemen” (Eski-Kermen, South-West Crimea): on Issues of Chronology and Interpretation of Paintings
- Details
- Hits: 266
- item->id; ?>
DOI: https://doi.org/10.15688/jvolsu4.2022.6.3
Yuriy M. Mogarichev
Doctor of Sciences (History), Professor, Leading Researcher,
Institute of Archaeology of Crimea of the Russian Academy of Sciences,
Prosp. Akademika Vernadskogo, 2, 295007 Simferopol, Russian Federation;
Head of the Humanity and Social Science Department,
Crimean Republican Institute of Postgraduate Pedagogical Education,
Lenina St, 15, 295000 Simferopol, Russian Federation
This email address is being protected from spambots. You need JavaScript enabled to view it.
https://orcid.org/0000-0001-6057-2316
Head of the Department of Postgraduate Studies, Lecturer,
Department of Painting, Saint Petersburg State Academy of Arts and Design named after A.L. Stieglitz,
Solyanoy Lane, 13, 191028 Saint Petersburg, Russian Federation
This email address is being protected from spambots. You need JavaScript enabled to view it.
https://orcid.org/0000-0001-7988-0415
Abstract. Introduction. The Church of the “Three Horsemen” is located on the southeast edge of Eski-Kermen hill fort (Southwest Crimea). Its name comes from the fresco with the images of three saints riding on the horses.
Methods. Historians of the end of the 18th – beginning of the 20th centuries rarely mentioned this site. Modern scholars have discussed two issues: 1) whether the church with fresco was the original one or it was preceded by an earlier (early medieval) cave religious building; 2) the image depicts only St. George, presented in three scenes; St. Demetrius, St. Theodore, and St. George; or this image amplified with figures of local historical persons.
Analysis. Nikolay Repnikov proved the chronological identity of fresco and the church. As regards the differences in the quality of handling walls, the author concludes that this is the result of the preparation of the rock base on plaster application and later paintings. The inscription under the picture of saints confirms this statement. All the translation variants confirm the simultaneity of paintings and cutting. Therefore, the fresco and the church were definitely created at the same time, probably in the second part of the 13th century. The analysis of paintings on the fresco shows that we have an image of St. Demetrius, St. Theodore (Stratelates or Tiron), and St. George. The images of these three saints, in contrast to “triple St. George” are common on the other sites of Crimea.
Results. All the attempts to “find” in the Three Horsemen martyrium the “earlier church” are baseless. The church was carved and painted in the second part of the 13th century. The fresco depicts St. Demetrius, St. Theodore (Stratelates or Tiron), and St. George.
Authors’ contribution. Yuriy Mogarichev prepared sections on historiography and features of the considered monument. Alena Еrgina investigated art history aspects.
Key words: Byzantium, Crimea, Eski-Kermen, cave churches, frescoes, temple of the “Three Horsemen”.
Citation. Mogarichev Yu.M., Ergina A.S. The Temple of the “Three Horsemen” (Eski-Kermen, South-West Crimea): On Issues of Chronology and Interpretation of Paintings. Vestnik Volgogradskogo gosudarstvennogo universiteta. Seriya 4. Istoriya. Regionovedenie. Mezhdunarodnye otnosheniya [Science Journal of Volgograd State University. History. Area Studies. International Relations], 2022, vol. 27, no. 6, pp. 30-45. (in Russian). DOI: https://doi.org/10.15688/jvolsu4.2022.6.3.
The Temple of the “Three Horsemen” (Eski-Kermen, South-West Crimea): on Issues of Chronology and Interpretation of Paintings by Mogarichev Yu.M., Ergina A.S. is licensed under a Creative Commons Attribution 4.0 International License.
 3_Mogarichev, Ergina.pdfURL: https://hfrir.jvolsu.com/index.php/en/component/attachments/download/2965 | 268 Downloads |