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<article xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" dtd-version="1.4" article-type="research-article" xml:lang="en"><front><journal-meta><journal-title-group><journal-title xml:lang="ru">Вестник Волгоградского государственного университета. Серия 4: История. Регионоведение. Международные отношения</journal-title></journal-title-group><issn publication-format="print">1998-9938</issn><issn publication-format="electronic">2312-8704</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.15688/jvolsu4.2024.1.7</article-id><article-categories><subj-group><subject>Other</subject></subj-group></article-categories><title-group><article-title xml:lang="ru">Американский неоколониализм на советском экране (на материале кинофильмов о Латинской Америке)</article-title><trans-title-group xml:lang="en"><trans-title>American Neocolonialism on the Soviet Cinema Screen (Based on Films About Latin America)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Клещенко</surname><given-names>Людмила Леонидовна</given-names></name><name xml:lang="en"><surname>Kleshchenko</surname><given-names>Liudmila L.</given-names></name></name-alternatives><xref ref-type="aff" rid="aff1"/><email>ludmila.popova2011@yandex.ru</email><contrib-id contrib-id-type="orcid">0000-0002-4172-6583</contrib-id></contrib><aff-alternatives id="aff1"><aff xml:lang="en"><institution>Herzen University (Saint Petersburg, Russian Federation)</institution></aff><aff xml:lang="ru"><institution>Российский государственный педагогический университет им. А.И. Герцена (г. Санкт-Петербург, Российская Федерация)</institution></aff></aff-alternatives></contrib-group><pub-date pub-type="epub" iso-8601-date="2024-03-11"><day>11</day><month>03</month><year>2024</year></pub-date><volume>29</volume><issue>1</issue><fpage>77</fpage><lpage>86</lpage><history><date date-type="received" iso-8601-date="2023-08-31"><day>31</day><month>08</month><year>2023</year></date><date date-type="accepted" iso-8601-date="2023-11-15"><day>15</day><month>11</month><year>2023</year></date></history><permissions><license xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:title="CC BY 4.0"><ali:license_ref>https://creativecommons.org/licenses/by/4.0/</ali:license_ref><license-p xml:lang="ru">CC BY 4.0</license-p></license></permissions><abstract xml:lang="ru"><p>Актуальность темы обусловлена тем, что в настоящее время понятия колониализма и неоколониализма возвращаются в официальный российский политический дискурс. В статье исследовано, как кинорепрезентации борьбы против американского неоколониализма в Латинской Америке используются в конструировании образа американского врага в контексте холодной войны, что определяет новизну настоящей работы. Материалами послужили советские художественные и документальные кинофильмы о Латинской Америке. Автор приходит к следующим выводам. Образы неоколониальной эксплуатации Латинской Америки вносили вклад в создание образа американского врага, способствуя наделению его такими чертами, как аморальность, алчность, жестокость, презрение к населению третьего мира. Кроме того, образы Латинской Америки и борьбы ее народов против неоколониализма использовались в политике советской идентичности: демонстрация солидарности с народами Латинской Америки поддерживала образ СССР как лидера освободительной борьбы против (нео)колониализма. Образы бедственного положения стран, в которых все еще остаются у власти силы, идентифицируемые как приспешники американского неоколониализма, легитимировали борьбу против проамериканских правительств в Латинской Америке. Кинофильмы о кубинской и никарагуанской революциях выполняли функции предсказания победы над неоколониализмом в регионе в частности и американским врагом в холодной войне в целом.</p></abstract><abstract xml:lang="en" abstract-type="summary"><p>The scientific relevance of the topic is due to the fact that the concepts of colonialism and neocolonialism are currently becoming part of the official Russian political discourse. The article examines how film representations of the struggle against American neocolonialism in Latin America are used to create the image of the American enemy in the context of the Cold War, which determines the novelty of this work. Methods and materials. The article is based on Soviet features and documentary films about Latin America. Analysis and results. The author comes to the following conclusions: images of neocolonial exploitation of Latin America contributed to the creation of the image of the American enemy, endowing it with such features as immorality, greed, cruelty, and contempt for the population of the Third World. In addition, the images of Latin America and the struggle of its population against neocolonialism were used in the politics of Soviet identity. A demonstration of solidarity with the people of Latin America maintained the image of the USSR as the leader of the liberation struggle against (neo)colonialism. The struggle against pro-American governments in Latin America acquired legitimacy through images of the plight of the countries ruled by powers accomplishing American neocolonialism. Films about the Cuban and Nicaraguan revolutions served to predict victory over neocolonialism in the region in particular and the American enemy in the Cold War in general.</p></abstract><kwd-group xml:lang="ru"><kwd>неоколониализм</kwd><kwd>холодная война</kwd><kwd>образ врага</kwd><kwd>советский кинематограф</kwd><kwd>Латинская Америка</kwd><kwd>внешняя политика США в Латинской Америке</kwd></kwd-group><kwd-group xml:lang="en"><kwd>neocolonialism</kwd><kwd>Cold War</kwd><kwd>image of the enemy</kwd><kwd>Soviet cinematography</kwd><kwd>Latin America</kwd><kwd>U.S. foreign policy in Latin America</kwd></kwd-group><funding-group><funding-statement xml:lang="ru">Работа выполнена при поддержке Российского научного фонда по гранту № 22-18-00305 «Образы врага в массовой культуре холодной войны: содержание, современная рецепция и использование в символической политике России и США», https://rscf.ru/ project/22-18-00305/ (РГПУ им. А.И. Герцена, СанктПетербург).</funding-statement><funding-statement xml:lang="en">This work was supported by the Russian Science Foundation under Grant No. 22-18-00305 ‘The images of enemy in Cold War popular culture: their content, contemporary reception and usage in Russian and U.S. symbolic politics’, https://rscf.ru/en/project/ 22-18-00305/ (Herzen University, St. Petersburg).</funding-statement></funding-group></article-meta></front><back><ref-list><ref id="ref1"><mixed-citation publication-type="other" xml:lang="ru">Baichorov A.M. Neokolonializm i mezhdunarodnyi terrorizm [Neocolonialism and International Terrorism]. Minsk, University Publishing House, 1985. 160 p.</mixed-citation></ref><ref id="ref2"><mixed-citation publication-type="other" xml:lang="ru">Bokeriya S.A., Davidchuk A.S., Degterev D.A., Dubrovskiy I.R., Zhuravleva E.V., Enokyan A.V., Ivkina N.V., Nikulin M.A., Kassaye Nigusie W.M., Shpakovskaya M.A. Soviet Studies of Neocolonialism. 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